\n\t\n\t\t\n\t\t\tVirtual Touch&Trail | Locarno\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\tSaturday\u00a024 June\u00a0at 8.30 pm, at\u00a0Spazio Elle\u00a0in\u00a0Locarno, Ariella Vidach AiEP presents\u00a0VIRTUAL TOUCH&TRAIL, virtual dance performance \u2013\u00a0DANCEtheDISTANCE project A virtual dance performance with 3 dancers equipped with a VR viewer \u2013 one in presence and 2 remotely \u2013 inserted in a shared\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2023<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tMAM contemporanea | Rete MAM\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\tOn the occasion of International Museum Day – Sunday 15 May, from 15.30 to 17.30 – the Mendrisiotto Art Museums Network \u2013 Rete MAM presents the new production Ariella Vidach AiEP, MAM contemporanea, created for this occasion and choosing to\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2022<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tKINEXAstudio | Veicolo Danza, Ligornetto\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\tOn the occasion of the residency in Ticino in Danza 2022, the dance company Ariella Vidach AiEP \u2013 Avventure in Elicottero Prodotti presents a Virtual LAB | 28 > 30 July, from 17 to 19 at Veicolo Danza | Via\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2022<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tCORPOmemory | LAC Lugano\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\tOn January 18, at 8.30 pm at LAC Lugano Arte e Cultura in Lugano, Ariella Vidach AiEP presents CORPOmemory. Corpomemoryis born starting from the observation on the permeability of the body with respect to the media, with a particular reference\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2023<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tTemporaneo Tempobeat | Oltner tanztage\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t In the performance TEMPORANEO TEMPOBEAT the dancers are authors, not just performers in a show that is conceived as a sharing, mutual experience in real time. Using a beat box vocal technique and special software, similar to a loop\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2018<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tHU_robot | Teatrostudio LAC\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t This performance is about augmented reality and robotics, and offers a choreographic experience that opens to multiple levels of sensory perceptions. The dancers get dismembered and multiplied within an unconventionally conceived space, misshaped by a repeatedly changing viewpoint, where\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2018<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tDANSite | SACEBA | Ticino in Danza\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t Dance and video projections in a site specific context. A performative intervention develops \u00a0a choreographic actions and images flow, starting from the characteristics of the venue. Choreographic actions and images present\u00a0 tensions, convergences, contrasts and balances generated between the\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2018<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tVOCset \u2013 Hiver de danse (Neuchatel) \u2013 25 february 2017 h. 20.30\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\tVOCset contrives a place where the dancers explore and repattern their relationship with the sound, the voice and the images. The movement, acting as a drawing pencil, sketches a space of increasing tension, in which the performers challenge each other\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2017<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tHABITdata – studio version\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t HABITdata is focused on the potential of robotic technology applied to choreography. A robotic arm is on stage and tries to interlace a dialogue with the dancers. This choreographic research investigates on\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2016<\/time><\/li><\/ul><\/div><\/article><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":4}},"_links":{"self":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445"}],"collection":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/comments?post=5445"}],"version-history":[{"count":1,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445\/revisions"}],"predecessor-version":[{"id":5446,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445\/revisions\/5446"}],"wp:attachment":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/media?parent=5445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\t\n\t\t\n\t\t\tMAM contemporanea | Rete MAM\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\tOn the occasion of International Museum Day – Sunday 15 May, from 15.30 to 17.30 – the Mendrisiotto Art Museums Network \u2013 Rete MAM presents the new production Ariella Vidach AiEP, MAM contemporanea, created for this occasion and choosing to\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2022<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tKINEXAstudio | Veicolo Danza, Ligornetto\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\tOn the occasion of the residency in Ticino in Danza 2022, the dance company Ariella Vidach AiEP \u2013 Avventure in Elicottero Prodotti presents a Virtual LAB | 28 > 30 July, from 17 to 19 at Veicolo Danza | Via\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2022<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tCORPOmemory | LAC Lugano\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\tOn January 18, at 8.30 pm at LAC Lugano Arte e Cultura in Lugano, Ariella Vidach AiEP presents CORPOmemory. Corpomemoryis born starting from the observation on the permeability of the body with respect to the media, with a particular reference\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2023<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tTemporaneo Tempobeat | Oltner tanztage\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t In the performance TEMPORANEO TEMPOBEAT the dancers are authors, not just performers in a show that is conceived as a sharing, mutual experience in real time. Using a beat box vocal technique and special software, similar to a loop\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2018<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tHU_robot | Teatrostudio LAC\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t This performance is about augmented reality and robotics, and offers a choreographic experience that opens to multiple levels of sensory perceptions. The dancers get dismembered and multiplied within an unconventionally conceived space, misshaped by a repeatedly changing viewpoint, where\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2018<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tDANSite | SACEBA | Ticino in Danza\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t Dance and video projections in a site specific context. A performative intervention develops \u00a0a choreographic actions and images flow, starting from the characteristics of the venue. Choreographic actions and images present\u00a0 tensions, convergences, contrasts and balances generated between the\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2018<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tVOCset \u2013 Hiver de danse (Neuchatel) \u2013 25 february 2017 h. 20.30\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\tVOCset contrives a place where the dancers explore and repattern their relationship with the sound, the voice and the images. The movement, acting as a drawing pencil, sketches a space of increasing tension, in which the performers challenge each other\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2017<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tHABITdata – studio version\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t HABITdata is focused on the potential of robotic technology applied to choreography. A robotic arm is on stage and tries to interlace a dialogue with the dancers. This choreographic research investigates on\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2016<\/time><\/li><\/ul><\/div><\/article><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":4}},"_links":{"self":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445"}],"collection":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/comments?post=5445"}],"version-history":[{"count":1,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445\/revisions"}],"predecessor-version":[{"id":5446,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445\/revisions\/5446"}],"wp:attachment":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/media?parent=5445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\t\n\t\t\n\t\t\tKINEXAstudio | Veicolo Danza, Ligornetto\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\tOn the occasion of the residency in Ticino in Danza 2022, the dance company Ariella Vidach AiEP \u2013 Avventure in Elicottero Prodotti presents a Virtual LAB | 28 > 30 July, from 17 to 19 at Veicolo Danza | Via\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2022<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tCORPOmemory | LAC Lugano\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\tOn January 18, at 8.30 pm at LAC Lugano Arte e Cultura in Lugano, Ariella Vidach AiEP presents CORPOmemory. Corpomemoryis born starting from the observation on the permeability of the body with respect to the media, with a particular reference\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2023<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tTemporaneo Tempobeat | Oltner tanztage\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t In the performance TEMPORANEO TEMPOBEAT the dancers are authors, not just performers in a show that is conceived as a sharing, mutual experience in real time. Using a beat box vocal technique and special software, similar to a loop\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2018<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tHU_robot | Teatrostudio LAC\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t This performance is about augmented reality and robotics, and offers a choreographic experience that opens to multiple levels of sensory perceptions. The dancers get dismembered and multiplied within an unconventionally conceived space, misshaped by a repeatedly changing viewpoint, where\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2018<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tDANSite | SACEBA | Ticino in Danza\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t Dance and video projections in a site specific context. A performative intervention develops \u00a0a choreographic actions and images flow, starting from the characteristics of the venue. Choreographic actions and images present\u00a0 tensions, convergences, contrasts and balances generated between the\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2018<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tVOCset \u2013 Hiver de danse (Neuchatel) \u2013 25 february 2017 h. 20.30\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\tVOCset contrives a place where the dancers explore and repattern their relationship with the sound, the voice and the images. The movement, acting as a drawing pencil, sketches a space of increasing tension, in which the performers challenge each other\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2017<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tHABITdata – studio version\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t HABITdata is focused on the potential of robotic technology applied to choreography. A robotic arm is on stage and tries to interlace a dialogue with the dancers. This choreographic research investigates on\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2016<\/time><\/li><\/ul><\/div><\/article><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":4}},"_links":{"self":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445"}],"collection":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/comments?post=5445"}],"version-history":[{"count":1,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445\/revisions"}],"predecessor-version":[{"id":5446,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445\/revisions\/5446"}],"wp:attachment":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/media?parent=5445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\t\n\t\t\n\t\t\tCORPOmemory | LAC Lugano\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\tOn January 18, at 8.30 pm at LAC Lugano Arte e Cultura in Lugano, Ariella Vidach AiEP presents CORPOmemory. Corpomemoryis born starting from the observation on the permeability of the body with respect to the media, with a particular reference\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2023<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tTemporaneo Tempobeat | Oltner tanztage\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t In the performance TEMPORANEO TEMPOBEAT the dancers are authors, not just performers in a show that is conceived as a sharing, mutual experience in real time. Using a beat box vocal technique and special software, similar to a loop\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2018<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tHU_robot | Teatrostudio LAC\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t This performance is about augmented reality and robotics, and offers a choreographic experience that opens to multiple levels of sensory perceptions. The dancers get dismembered and multiplied within an unconventionally conceived space, misshaped by a repeatedly changing viewpoint, where\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2018<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tDANSite | SACEBA | Ticino in Danza\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t Dance and video projections in a site specific context. A performative intervention develops \u00a0a choreographic actions and images flow, starting from the characteristics of the venue. Choreographic actions and images present\u00a0 tensions, convergences, contrasts and balances generated between the\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2018<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tVOCset \u2013 Hiver de danse (Neuchatel) \u2013 25 february 2017 h. 20.30\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\tVOCset contrives a place where the dancers explore and repattern their relationship with the sound, the voice and the images. The movement, acting as a drawing pencil, sketches a space of increasing tension, in which the performers challenge each other\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2017<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tHABITdata – studio version\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t HABITdata is focused on the potential of robotic technology applied to choreography. A robotic arm is on stage and tries to interlace a dialogue with the dancers. This choreographic research investigates on\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2016<\/time><\/li><\/ul><\/div><\/article><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":4}},"_links":{"self":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445"}],"collection":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/comments?post=5445"}],"version-history":[{"count":1,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445\/revisions"}],"predecessor-version":[{"id":5446,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445\/revisions\/5446"}],"wp:attachment":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/media?parent=5445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\t\n\t\t\n\t\t\tTemporaneo Tempobeat | Oltner tanztage\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t In the performance TEMPORANEO TEMPOBEAT the dancers are authors, not just performers in a show that is conceived as a sharing, mutual experience in real time. Using a beat box vocal technique and special software, similar to a loop\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2018<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tHU_robot | Teatrostudio LAC\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t This performance is about augmented reality and robotics, and offers a choreographic experience that opens to multiple levels of sensory perceptions. The dancers get dismembered and multiplied within an unconventionally conceived space, misshaped by a repeatedly changing viewpoint, where\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2018<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tDANSite | SACEBA | Ticino in Danza\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t Dance and video projections in a site specific context. A performative intervention develops \u00a0a choreographic actions and images flow, starting from the characteristics of the venue. Choreographic actions and images present\u00a0 tensions, convergences, contrasts and balances generated between the\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2018<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tVOCset \u2013 Hiver de danse (Neuchatel) \u2013 25 february 2017 h. 20.30\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\tVOCset contrives a place where the dancers explore and repattern their relationship with the sound, the voice and the images. The movement, acting as a drawing pencil, sketches a space of increasing tension, in which the performers challenge each other\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2017<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tHABITdata – studio version\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t HABITdata is focused on the potential of robotic technology applied to choreography. A robotic arm is on stage and tries to interlace a dialogue with the dancers. This choreographic research investigates on\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2016<\/time><\/li><\/ul><\/div><\/article><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":4}},"_links":{"self":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445"}],"collection":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/comments?post=5445"}],"version-history":[{"count":1,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445\/revisions"}],"predecessor-version":[{"id":5446,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445\/revisions\/5446"}],"wp:attachment":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/media?parent=5445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\t\n\t\t\n\t\t\tHU_robot | Teatrostudio LAC\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t This performance is about augmented reality and robotics, and offers a choreographic experience that opens to multiple levels of sensory perceptions. The dancers get dismembered and multiplied within an unconventionally conceived space, misshaped by a repeatedly changing viewpoint, where\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2018<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tDANSite | SACEBA | Ticino in Danza\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t Dance and video projections in a site specific context. A performative intervention develops \u00a0a choreographic actions and images flow, starting from the characteristics of the venue. Choreographic actions and images present\u00a0 tensions, convergences, contrasts and balances generated between the\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2018<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tVOCset \u2013 Hiver de danse (Neuchatel) \u2013 25 february 2017 h. 20.30\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\tVOCset contrives a place where the dancers explore and repattern their relationship with the sound, the voice and the images. The movement, acting as a drawing pencil, sketches a space of increasing tension, in which the performers challenge each other\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2017<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tHABITdata – studio version\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t HABITdata is focused on the potential of robotic technology applied to choreography. A robotic arm is on stage and tries to interlace a dialogue with the dancers. This choreographic research investigates on\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2016<\/time><\/li><\/ul><\/div><\/article><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":4}},"_links":{"self":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445"}],"collection":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/comments?post=5445"}],"version-history":[{"count":1,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445\/revisions"}],"predecessor-version":[{"id":5446,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445\/revisions\/5446"}],"wp:attachment":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/media?parent=5445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\t\n\t\t\n\t\t\tDANSite | SACEBA | Ticino in Danza\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t Dance and video projections in a site specific context. A performative intervention develops \u00a0a choreographic actions and images flow, starting from the characteristics of the venue. Choreographic actions and images present\u00a0 tensions, convergences, contrasts and balances generated between the\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2018<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tVOCset \u2013 Hiver de danse (Neuchatel) \u2013 25 february 2017 h. 20.30\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\tVOCset contrives a place where the dancers explore and repattern their relationship with the sound, the voice and the images. The movement, acting as a drawing pencil, sketches a space of increasing tension, in which the performers challenge each other\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2017<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tHABITdata – studio version\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t HABITdata is focused on the potential of robotic technology applied to choreography. A robotic arm is on stage and tries to interlace a dialogue with the dancers. This choreographic research investigates on\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2016<\/time><\/li><\/ul><\/div><\/article><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":4}},"_links":{"self":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445"}],"collection":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/comments?post=5445"}],"version-history":[{"count":1,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445\/revisions"}],"predecessor-version":[{"id":5446,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445\/revisions\/5446"}],"wp:attachment":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/media?parent=5445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\t\n\t\t\n\t\t\tVOCset \u2013 Hiver de danse (Neuchatel) \u2013 25 february 2017 h. 20.30\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\tVOCset contrives a place where the dancers explore and repattern their relationship with the sound, the voice and the images. The movement, acting as a drawing pencil, sketches a space of increasing tension, in which the performers challenge each other\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2017<\/time><\/li><\/ul><\/div><\/article>\n\t\n\t\t\n\t\t\tHABITdata – studio version\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t HABITdata is focused on the potential of robotic technology applied to choreography. A robotic arm is on stage and tries to interlace a dialogue with the dancers. This choreographic research investigates on\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2016<\/time><\/li><\/ul><\/div><\/article><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":4}},"_links":{"self":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445"}],"collection":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/comments?post=5445"}],"version-history":[{"count":1,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445\/revisions"}],"predecessor-version":[{"id":5446,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445\/revisions\/5446"}],"wp:attachment":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/media?parent=5445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\t\n\t\t\n\t\t\tHABITdata – studio version\t\t<\/a>\n\t<\/h2>\n\n\t\n\t\n\t\t HABITdata is focused on the potential of robotic technology applied to choreography. A robotic arm is on stage and tries to interlace a dialogue with the dancers. This choreographic research investigates on\u2026<\/p>\n\t<\/div>\n\n\t<\/div>2016<\/time><\/li><\/ul><\/div><\/article><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":4}},"_links":{"self":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445"}],"collection":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/comments?post=5445"}],"version-history":[{"count":1,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445\/revisions"}],"predecessor-version":[{"id":5446,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/pages\/5445\/revisions\/5446"}],"wp:attachment":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/media?parent=5445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}