{"id":4106,"date":"2021-01-30T19:12:17","date_gmt":"2021-01-30T18:12:17","guid":{"rendered":"https:\/\/www.aiep.org\/?post_type=artisti_associati&p=4106"},"modified":"2022-01-17T16:44:07","modified_gmt":"2022-01-17T15:44:07","slug":"collettivo-tyche","status":"publish","type":"artisti_associati","link":"https:\/\/www.aiep.org\/en\/artisti_associati\/collettivo-tyche\/","title":{"rendered":"Collettivo Tyche"},"content":{"rendered":"\n
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Collettivo Tyche<\/h4>\n\n\n\n
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The Tyche choreographic research collective was born within two important Italian training centers: Paolo Grassi Civic School of Theatre in Milan and the Scuola Conia, an institute supported by the Societas Raffaello Sanzio.<\/p>\n\n\n\n

Tyche is made up of five members: a choreographer ( Michele Ifigenia Colturi), a dramaturg (Ciro Ciancio), two performers \/ dancers (Enzina Cappelli, Andreyna De la Soledad) and a director (Riccardo Vanetta).<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Citerone<\/h1><\/div>\n\n\n\n

Co\/production<\/h3><\/div>\n\n\n\n
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\u201cI, the son of Zeus, have come to this land of the Thebans; I, Dyonisus, [\u2026] having taken a mortal form instead of a god\u2019s, I am here at the fountains of Dirke and the water of Ismenus. [\u2026] I have come to this Hellene city first, having already set those others land to dance and established my mysteries there, so that I might be a deity manifest among men. In this land of Hellas, I have first excited Thebes to my cry, fitting a fawn-skin to my body and taking a thyrsus in my hand, a weapon of ivy.\u201d Euripide, Le Baccanti<\/em><\/p>\n\n\n\n

The (piece) generates from a specific analysis of Euripides\u2019 Bacchae<\/em>, by isolating the choral sections of the tragedy. The work narrates the return of Dyonisus, god of ecstasy, to a Greece disrespectful towards his divine essence. Revenge is close and is spread over the length of the play: playing the part of the scapegoats are the Theban women, first victims, then executioners, shaken trough the acts of a vengeful god. In Citerone the bacchaes are interpreted by two performers, synthesis of the Greek chorus. The project aims to represent the origins of the ancient Greek tragedy: the dithyramb, a hymn full of poetry and dance. This is the beginning, this is the prologue of western theatre; the choreography is meant to be a body chant in honor of Dionysus.<\/p>\n\n\n\n

Credits<\/h4>\n\n\n\n
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Coreographer<\/strong>Michele Ifigenia Colturi<\/p>\n\n\n\n

Performer<\/strong> Enzina Cappelli, Andreyna De La Soledad<\/p>\n<\/div>\n\n\n\n

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Dramaturg<\/strong> Ciro Ciancio<\/p>\n\n\n\n

Assisting director<\/strong> Riccardo Vanetta<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"featured_media":4103,"template":"","stato_artisti_associati":[122],"home_page_news":[],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":4}},"_links":{"self":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/artisti_associati\/4106"}],"collection":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/artisti_associati"}],"about":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/types\/artisti_associati"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/media\/4103"}],"wp:attachment":[{"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/media?parent=4106"}],"wp:term":[{"taxonomy":"stato_artisti_associati","embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/stato_artisti_associati?post=4106"},{"taxonomy":"home_page_news","embeddable":true,"href":"https:\/\/www.aiep.org\/en\/wp-json\/wp\/v2\/home_page_news?post=4106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}